An Artistic styles with a musical flavour, particularly miniature paintings, become tuneful and delightful to look at. A beautiful visual representation of the feminine essence is offered by these artistic musical themes if the concept of women is conveyed in them. Originally regarded by musicians and poets as divine or human representations of Indian musical modes, ragini paintings are a visual expression of those modes. Five, seven, or twelve musical modes are commonly used to portray the various moods depicted in episodic paintings in music. Ragas are the musical creations. Ragamala, or garland of tunes, has six groups of six Ragas, each with a representative man (Raga) and six ladies that are widely used to arrange the Ragas (Raginis). Ragas can be specialized and illustrated in a variety of ways. 'Shakal' refers to a wide range of Ragas in the musical tradition. Indian miniature paintings depict Ragas as melodic forms that relate with the artistic feminine spirit and promote creative activity through the use of Ragamala paintings. The application of certain sets and symbols is an important component of Indian music. They typically depict sensual or spiritual moments in aristocratic settings. The miniature paintings of women as Raginis are full of emotion and splendour. They depict various aspects of feminine life and create beautiful pictures of immense emotions, the spring period, the driving energies of the monsoon, the talents of artists, the reasonable disposition, and knowledge.
Published in | History Research (Volume 10, Issue 2) |
DOI | 10.11648/j.history.20221002.11 |
Page(s) | 78-82 |
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Copyright © The Author(s), 2022. Published by Science Publishing Group |
Art, Deccani, Golconda, Hyderabad, Music, Ragamala, Paintings
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APA Style
Bennabhaktula Lavanya. (2022). Artistic Representation of Women and Music in Medieval India. History Research, 10(2), 78-82. https://doi.org/10.11648/j.history.20221002.11
ACS Style
Bennabhaktula Lavanya. Artistic Representation of Women and Music in Medieval India. Hist. Res. 2022, 10(2), 78-82. doi: 10.11648/j.history.20221002.11
@article{10.11648/j.history.20221002.11, author = {Bennabhaktula Lavanya}, title = {Artistic Representation of Women and Music in Medieval India}, journal = {History Research}, volume = {10}, number = {2}, pages = {78-82}, doi = {10.11648/j.history.20221002.11}, url = {https://doi.org/10.11648/j.history.20221002.11}, eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.history.20221002.11}, abstract = {An Artistic styles with a musical flavour, particularly miniature paintings, become tuneful and delightful to look at. A beautiful visual representation of the feminine essence is offered by these artistic musical themes if the concept of women is conveyed in them. Originally regarded by musicians and poets as divine or human representations of Indian musical modes, ragini paintings are a visual expression of those modes. Five, seven, or twelve musical modes are commonly used to portray the various moods depicted in episodic paintings in music. Ragas are the musical creations. Ragamala, or garland of tunes, has six groups of six Ragas, each with a representative man (Raga) and six ladies that are widely used to arrange the Ragas (Raginis). Ragas can be specialized and illustrated in a variety of ways. 'Shakal' refers to a wide range of Ragas in the musical tradition. Indian miniature paintings depict Ragas as melodic forms that relate with the artistic feminine spirit and promote creative activity through the use of Ragamala paintings. The application of certain sets and symbols is an important component of Indian music. They typically depict sensual or spiritual moments in aristocratic settings. The miniature paintings of women as Raginis are full of emotion and splendour. They depict various aspects of feminine life and create beautiful pictures of immense emotions, the spring period, the driving energies of the monsoon, the talents of artists, the reasonable disposition, and knowledge.}, year = {2022} }
TY - JOUR T1 - Artistic Representation of Women and Music in Medieval India AU - Bennabhaktula Lavanya Y1 - 2022/07/05 PY - 2022 N1 - https://doi.org/10.11648/j.history.20221002.11 DO - 10.11648/j.history.20221002.11 T2 - History Research JF - History Research JO - History Research SP - 78 EP - 82 PB - Science Publishing Group SN - 2376-6719 UR - https://doi.org/10.11648/j.history.20221002.11 AB - An Artistic styles with a musical flavour, particularly miniature paintings, become tuneful and delightful to look at. A beautiful visual representation of the feminine essence is offered by these artistic musical themes if the concept of women is conveyed in them. Originally regarded by musicians and poets as divine or human representations of Indian musical modes, ragini paintings are a visual expression of those modes. Five, seven, or twelve musical modes are commonly used to portray the various moods depicted in episodic paintings in music. Ragas are the musical creations. Ragamala, or garland of tunes, has six groups of six Ragas, each with a representative man (Raga) and six ladies that are widely used to arrange the Ragas (Raginis). Ragas can be specialized and illustrated in a variety of ways. 'Shakal' refers to a wide range of Ragas in the musical tradition. Indian miniature paintings depict Ragas as melodic forms that relate with the artistic feminine spirit and promote creative activity through the use of Ragamala paintings. The application of certain sets and symbols is an important component of Indian music. They typically depict sensual or spiritual moments in aristocratic settings. The miniature paintings of women as Raginis are full of emotion and splendour. They depict various aspects of feminine life and create beautiful pictures of immense emotions, the spring period, the driving energies of the monsoon, the talents of artists, the reasonable disposition, and knowledge. VL - 10 IS - 2 ER -