Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War

Maryna Protas; Natalia Bulavina; Igor Isychenko

doi:doi:10.11648/j.ajad.20230802.14

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Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War

Maryna Protas, Natalia Bulavina, Igor Isychenko

Published in American Journal of Art and Design (Volume 8, Issue 2)

Received: 21 April 2023 Accepted: 16 May 2023 Published: 29 May 2023

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Abstract

The paper attempts to examine, under the conditions of the war against Russia, the highly relevant question of the relationship between the ongoing Ukrainian war-influenced nation-building process and the nation’s art practices. The latter are considered by the authors to be of utmost importance as both the reflection of the former and, at the same time, as something that can influence it, thus, possibly slightly changing or altering the overall shape that the Ukrainian nation, which is being born, will take. It is suggested that imagination plays a major role as something that allows one to go beyond liberalism’s utilitarian or deterministic understanding of a nation. Accordingly, an artist is called someone who can, at least hypothetically, overcome a double limitation — that of processes of globalization and standardization of art market products and, on the other hand, total conditioning by the past of the nation. The Ukrainian nation is considered as a project in the process of making, an important role in which could be played by the artist’s imagination, relatively less determined by tangible parameters and determinants. In accordance with this statement, numerous examples are provided of how artists of modern Ukraine interpret, in the languages of different styles and genres of art, the ongoing war and the changes caused by it in the collective imagination of the Ukrainian nation, the process of formation of which continues. Using the "world-system", according to I. Wallerstein, method of comparative epistemology, the authors of the article prove the possibility and the effectiveness of studying the cultural habitus of Ukraine from the standpoint of transcendental aesthetics.

Published in	American Journal of Art and Design (Volume 8, Issue 2)
DOI	10.11648/j.ajad.20230802.14
Page(s)	37-45
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2023. Published by Science Publishing Group

Keywords

Ukrainian Art, Contemporary Art, Imaginary Community, Art Episteme, Geography of Art

References

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[17]	Protas, Maryna & Bulavina, Natalia. Ukrainian Art in the Time of the War: An Art Episteme Shift. American Journal of Art and Design Vol. 7 (4), 2022, p. 116–123. DOI: 10.11648/j.ajad.20220704.13.
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APA Style

Maryna Protas, Natalia Bulavina, Igor Isychenko. (2023). Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. American Journal of Art and Design, 8(2), 37-45. https://doi.org/10.11648/j.ajad.20230802.14

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ACS Style

Maryna Protas; Natalia Bulavina; Igor Isychenko. Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. Am. J. Art Des. 2023, 8(2), 37-45. doi: 10.11648/j.ajad.20230802.14

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AMA Style

Maryna Protas, Natalia Bulavina, Igor Isychenko. Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. Am J Art Des. 2023;8(2):37-45. doi: 10.11648/j.ajad.20230802.14

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@article{10.11648/j.ajad.20230802.14,
  author = {Maryna Protas and Natalia Bulavina and Igor Isychenko},
  title = {Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War},
  journal = {American Journal of Art and Design},
  volume = {8},
  number = {2},
  pages = {37-45},
  doi = {10.11648/j.ajad.20230802.14},
  url = {https://doi.org/10.11648/j.ajad.20230802.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20230802.14},
  abstract = {The paper attempts to examine, under the conditions of the war against Russia, the highly relevant question of the relationship between the ongoing Ukrainian war-influenced nation-building process and the nation’s art practices. The latter are considered by the authors to be of utmost importance as both the reflection of the former and, at the same time, as something that can influence it, thus, possibly slightly changing or altering the overall shape that the Ukrainian nation, which is being born, will take. It is suggested that imagination plays a major role as something that allows one to go beyond liberalism’s utilitarian or deterministic understanding of a nation. Accordingly, an artist is called someone who can, at least hypothetically, overcome a double limitation — that of processes of globalization and standardization of art market products and, on the other hand, total conditioning by the past of the nation. The Ukrainian nation is considered as a project in the process of making, an important role in which could be played by the artist’s imagination, relatively less determined by tangible parameters and determinants. In accordance with this statement, numerous examples are provided of how artists of modern Ukraine interpret, in the languages of different styles and genres of art, the ongoing war and the changes caused by it in the collective imagination of the Ukrainian nation, the process of formation of which continues. Using the "world-system", according to I. Wallerstein, method of comparative epistemology, the authors of the article prove the possibility and the effectiveness of studying the cultural habitus of Ukraine from the standpoint of transcendental aesthetics.},
 year = {2023}
}

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TY  - JOUR
T1  - Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War
AU  - Maryna Protas
AU  - Natalia Bulavina
AU  - Igor Isychenko
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T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
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AB  - The paper attempts to examine, under the conditions of the war against Russia, the highly relevant question of the relationship between the ongoing Ukrainian war-influenced nation-building process and the nation’s art practices. The latter are considered by the authors to be of utmost importance as both the reflection of the former and, at the same time, as something that can influence it, thus, possibly slightly changing or altering the overall shape that the Ukrainian nation, which is being born, will take. It is suggested that imagination plays a major role as something that allows one to go beyond liberalism’s utilitarian or deterministic understanding of a nation. Accordingly, an artist is called someone who can, at least hypothetically, overcome a double limitation — that of processes of globalization and standardization of art market products and, on the other hand, total conditioning by the past of the nation. The Ukrainian nation is considered as a project in the process of making, an important role in which could be played by the artist’s imagination, relatively less determined by tangible parameters and determinants. In accordance with this statement, numerous examples are provided of how artists of modern Ukraine interpret, in the languages of different styles and genres of art, the ongoing war and the changes caused by it in the collective imagination of the Ukrainian nation, the process of formation of which continues. Using the "world-system", according to I. Wallerstein, method of comparative epistemology, the authors of the article prove the possibility and the effectiveness of studying the cultural habitus of Ukraine from the standpoint of transcendental aesthetics.
VL  - 8
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Author Information

Maryna Protas

Department of Curatorial Exhibition Activities and Cultural Exchange, Modern Art Research Institute of National Academy of Arts of Ukraine, Kyiv, Ukraine
Natalia Bulavina

Department of Curatorial Exhibition Activities and Cultural Exchange, Modern Art Research Institute of National Academy of Arts of Ukraine, Kyiv, Ukraine
Igor Isychenko

Department of Curatorial Exhibition Activities and Cultural Exchange, Modern Art Research Institute of National Academy of Arts of Ukraine, Kyiv, Ukraine

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APA Style

Maryna Protas, Natalia Bulavina, Igor Isychenko. (2023). Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. American Journal of Art and Design, 8(2), 37-45. https://doi.org/10.11648/j.ajad.20230802.14

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ACS Style

Maryna Protas; Natalia Bulavina; Igor Isychenko. Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. Am. J. Art Des. 2023, 8(2), 37-45. doi: 10.11648/j.ajad.20230802.14

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AMA Style

Maryna Protas, Natalia Bulavina, Igor Isychenko. Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War. Am J Art Des. 2023;8(2):37-45. doi: 10.11648/j.ajad.20230802.14

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@article{10.11648/j.ajad.20230802.14,
  author = {Maryna Protas and Natalia Bulavina and Igor Isychenko},
  title = {Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War},
  journal = {American Journal of Art and Design},
  volume = {8},
  number = {2},
  pages = {37-45},
  doi = {10.11648/j.ajad.20230802.14},
  url = {https://doi.org/10.11648/j.ajad.20230802.14},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20230802.14},
  abstract = {The paper attempts to examine, under the conditions of the war against Russia, the highly relevant question of the relationship between the ongoing Ukrainian war-influenced nation-building process and the nation’s art practices. The latter are considered by the authors to be of utmost importance as both the reflection of the former and, at the same time, as something that can influence it, thus, possibly slightly changing or altering the overall shape that the Ukrainian nation, which is being born, will take. It is suggested that imagination plays a major role as something that allows one to go beyond liberalism’s utilitarian or deterministic understanding of a nation. Accordingly, an artist is called someone who can, at least hypothetically, overcome a double limitation — that of processes of globalization and standardization of art market products and, on the other hand, total conditioning by the past of the nation. The Ukrainian nation is considered as a project in the process of making, an important role in which could be played by the artist’s imagination, relatively less determined by tangible parameters and determinants. In accordance with this statement, numerous examples are provided of how artists of modern Ukraine interpret, in the languages of different styles and genres of art, the ongoing war and the changes caused by it in the collective imagination of the Ukrainian nation, the process of formation of which continues. Using the "world-system", according to I. Wallerstein, method of comparative epistemology, the authors of the article prove the possibility and the effectiveness of studying the cultural habitus of Ukraine from the standpoint of transcendental aesthetics.},
 year = {2023}
}

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TY  - JOUR
T1  - Between Aesthetics and Imagination: The Ongoing Transformations of Ukrainian Art in the Times of the War
AU  - Maryna Protas
AU  - Natalia Bulavina
AU  - Igor Isychenko
Y1  - 2023/05/29
PY  - 2023
N1  - https://doi.org/10.11648/j.ajad.20230802.14
DO  - 10.11648/j.ajad.20230802.14
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 37
EP  - 45
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20230802.14
AB  - The paper attempts to examine, under the conditions of the war against Russia, the highly relevant question of the relationship between the ongoing Ukrainian war-influenced nation-building process and the nation’s art practices. The latter are considered by the authors to be of utmost importance as both the reflection of the former and, at the same time, as something that can influence it, thus, possibly slightly changing or altering the overall shape that the Ukrainian nation, which is being born, will take. It is suggested that imagination plays a major role as something that allows one to go beyond liberalism’s utilitarian or deterministic understanding of a nation. Accordingly, an artist is called someone who can, at least hypothetically, overcome a double limitation — that of processes of globalization and standardization of art market products and, on the other hand, total conditioning by the past of the nation. The Ukrainian nation is considered as a project in the process of making, an important role in which could be played by the artist’s imagination, relatively less determined by tangible parameters and determinants. In accordance with this statement, numerous examples are provided of how artists of modern Ukraine interpret, in the languages of different styles and genres of art, the ongoing war and the changes caused by it in the collective imagination of the Ukrainian nation, the process of formation of which continues. Using the "world-system", according to I. Wallerstein, method of comparative epistemology, the authors of the article prove the possibility and the effectiveness of studying the cultural habitus of Ukraine from the standpoint of transcendental aesthetics.
VL  - 8
IS  - 2
ER  -

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