Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains

Michael Owiredu Aboagye; Johnson Kofi Kassah; Valeria Makafui Dzidzornu

doi:doi:10.11648/j.ajad.20220704.15

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Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains

Michael Owiredu Aboagye, Johnson Kofi Kassah, Valeria Makafui Dzidzornu

Published in American Journal of Art and Design (Volume 7, Issue 4)

Received: 18 August 2022 Accepted: 24 October 2022 Published: 31 October 2022

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Abstract

Designs in window curtains in Ghanaian homes, offices and markets generally portray elements associated with foreign culture. This phenomenon which has the tendency of swaging vulnerable minds for imported beliefs and ideologies could be tackled by providing alternative products which reflect Ghanaian philosophy and ideology. There are enough symbolism, techniques and resources suitable for producing window coverings to depict the cultural heritage of the people in Ghana. This study aimed to integrate ‘cuir-bouilli’, a leather molding technique and applique in fabric to produce Ghanaian symbolic window blinds and curtains. This dwells on the concept: of “promoting textiles through the projection of Ghanaian traditional symbols”. The study employed a human-centered design for practical experiments. This design is a step-by-step guide that requires working directly with end users of a product or service to develop new ideas that are feasible and appropriate in their context. The contextual information emanated largely from documentation, archival records, and observation of physical articles. In the process, locally made leather from sheep and goat skins was manipulated with ‘cuir-bouilli’ techniques to produce raised patterns which were further applied on fabric by applique technique to produce a window blind and a curtain. In the end, the study entreats students and artisans to explore the potential of the integration of moulded leather patterns and fabric for other artifacts.

Published in	American Journal of Art and Design (Volume 7, Issue 4)
DOI	10.11648/j.ajad.20220704.15
Page(s)	131-143
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Cuir-Bouiili, Applique, Tanning, Rattan, Regalia

References

[1]	Farlex, (2012). Window blinds. The Free Dictionary.
[2]	Cooperative Extension Service, (2020). Window treatment trends. College of Agriculture, UK.
[3]	Wu, Y. & Flemmer, C. (2020). Glass curtain wall technology and sustainability in commercial buildings in Auckland, New Zealand. International Journal of Built Environment and Sustainability, 7 (2), 57-65.
[4]	Acquaye, R. (2018). From tradition to innovation: Indigenous west African textiles in creative interior application. American Journal of Art and Design, 3 (2), 18-25.
[5]	Campo, S., Gatti, E. & Malan, O. L. (2019). Human-centred design. Accelerating results for every child by design. UNICEF.
[6]	IDEO, (2015). The field guide to human centred designs (1^st Edition). IDEO, Burns, C. (2018). Human-centered design. View Publication Stat.
[7]	Victoria State Government, (2020). Human-centred design playbook. Department of Premier and Cabinet Digital, Design and Innovation.
[8]	Stanford Social Innovation Review (2010). An introduction to human-centered design. Stanford Social Innovation Review.
[9]	Adom, D., Asante, E. A. & Kquofi, S. (2016). Adinkra: An epitome of Asante philosophy and history. Research on Humanities and Social Sciences, 6, 42-53.
[10]	Kisi, S. B., Fening, P. A. & Asante, E. A. (2019). The philosophy of adinkra symbols in Asante textiles, jewellery and other art forms. Journal of Asian Scientific Research, 9 (4), 29-39.
[11]	Aboagyewaa-Ntiri, A. Campion, C. B. & Kemevor, A. K. (2018). Extension of knowledge on Ghanaian adinkra symbols in relation to Maslow’s theory. International Journal of African Society Culture and Tradition, 6 (2), 25-38.
[12]	Adom, D., Opoku, M., Newton, J. P. & Yeboah, A. (2018). Adinkra cultural symbols for environmental sustainability education in Ghana. World Environment, 8 (2), 36-46.

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APA Style

Michael Owiredu Aboagye, Johnson Kofi Kassah, Valeria Makafui Dzidzornu. (2022). Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. American Journal of Art and Design, 7(4), 131-143. https://doi.org/10.11648/j.ajad.20220704.15

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ACS Style

Michael Owiredu Aboagye; Johnson Kofi Kassah; Valeria Makafui Dzidzornu. Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. Am. J. Art Des. 2022, 7(4), 131-143. doi: 10.11648/j.ajad.20220704.15

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AMA Style

Michael Owiredu Aboagye, Johnson Kofi Kassah, Valeria Makafui Dzidzornu. Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. Am J Art Des. 2022;7(4):131-143. doi: 10.11648/j.ajad.20220704.15

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@article{10.11648/j.ajad.20220704.15,
  author = {Michael Owiredu Aboagye and Johnson Kofi Kassah and Valeria Makafui Dzidzornu},
  title = {Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains},
  journal = {American Journal of Art and Design},
  volume = {7},
  number = {4},
  pages = {131-143},
  doi = {10.11648/j.ajad.20220704.15},
  url = {https://doi.org/10.11648/j.ajad.20220704.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20220704.15},
  abstract = {Designs in window curtains in Ghanaian homes, offices and markets generally portray elements associated with foreign culture. This phenomenon which has the tendency of swaging vulnerable minds for imported beliefs and ideologies could be tackled by providing alternative products which reflect Ghanaian philosophy and ideology. There are enough symbolism, techniques and resources suitable for producing window coverings to depict the cultural heritage of the people in Ghana. This study aimed to integrate ‘cuir-bouilli’, a leather molding technique and applique in fabric to produce Ghanaian symbolic window blinds and curtains. This dwells on the concept: of “promoting textiles through the projection of Ghanaian traditional symbols”. The study employed a human-centered design for practical experiments. This design is a step-by-step guide that requires working directly with end users of a product or service to develop new ideas that are feasible and appropriate in their context. The contextual information emanated largely from documentation, archival records, and observation of physical articles. In the process, locally made leather from sheep and goat skins was manipulated with ‘cuir-bouilli’ techniques to produce raised patterns which were further applied on fabric by applique technique to produce a window blind and a curtain. In the end, the study entreats students and artisans to explore the potential of the integration of moulded leather patterns and fabric for other artifacts.},
 year = {2022}
}

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TY  - JOUR
T1  - Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains
AU  - Michael Owiredu Aboagye
AU  - Johnson Kofi Kassah
AU  - Valeria Makafui Dzidzornu
Y1  - 2022/10/31
PY  - 2022
N1  - https://doi.org/10.11648/j.ajad.20220704.15
DO  - 10.11648/j.ajad.20220704.15
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 131
EP  - 143
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20220704.15
AB  - Designs in window curtains in Ghanaian homes, offices and markets generally portray elements associated with foreign culture. This phenomenon which has the tendency of swaging vulnerable minds for imported beliefs and ideologies could be tackled by providing alternative products which reflect Ghanaian philosophy and ideology. There are enough symbolism, techniques and resources suitable for producing window coverings to depict the cultural heritage of the people in Ghana. This study aimed to integrate ‘cuir-bouilli’, a leather molding technique and applique in fabric to produce Ghanaian symbolic window blinds and curtains. This dwells on the concept: of “promoting textiles through the projection of Ghanaian traditional symbols”. The study employed a human-centered design for practical experiments. This design is a step-by-step guide that requires working directly with end users of a product or service to develop new ideas that are feasible and appropriate in their context. The contextual information emanated largely from documentation, archival records, and observation of physical articles. In the process, locally made leather from sheep and goat skins was manipulated with ‘cuir-bouilli’ techniques to produce raised patterns which were further applied on fabric by applique technique to produce a window blind and a curtain. In the end, the study entreats students and artisans to explore the potential of the integration of moulded leather patterns and fabric for other artifacts.
VL  - 7
IS  - 4
ER  -

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Author Information

Michael Owiredu Aboagye

Department of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana
Johnson Kofi Kassah

Department of Fashion Design and Textiles, Ho Technical University, Ho, Ghana
Valeria Makafui Dzidzornu

Department of Fashion Design and Textiles, Ho Technical University, Ho, Ghana

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Plain Text BibTeX RIS

APA Style

Michael Owiredu Aboagye, Johnson Kofi Kassah, Valeria Makafui Dzidzornu. (2022). Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. American Journal of Art and Design, 7(4), 131-143. https://doi.org/10.11648/j.ajad.20220704.15

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ACS Style

Michael Owiredu Aboagye; Johnson Kofi Kassah; Valeria Makafui Dzidzornu. Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. Am. J. Art Des. 2022, 7(4), 131-143. doi: 10.11648/j.ajad.20220704.15

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AMA Style

Michael Owiredu Aboagye, Johnson Kofi Kassah, Valeria Makafui Dzidzornu. Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains. Am J Art Des. 2022;7(4):131-143. doi: 10.11648/j.ajad.20220704.15

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@article{10.11648/j.ajad.20220704.15,
  author = {Michael Owiredu Aboagye and Johnson Kofi Kassah and Valeria Makafui Dzidzornu},
  title = {Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains},
  journal = {American Journal of Art and Design},
  volume = {7},
  number = {4},
  pages = {131-143},
  doi = {10.11648/j.ajad.20220704.15},
  url = {https://doi.org/10.11648/j.ajad.20220704.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20220704.15},
  abstract = {Designs in window curtains in Ghanaian homes, offices and markets generally portray elements associated with foreign culture. This phenomenon which has the tendency of swaging vulnerable minds for imported beliefs and ideologies could be tackled by providing alternative products which reflect Ghanaian philosophy and ideology. There are enough symbolism, techniques and resources suitable for producing window coverings to depict the cultural heritage of the people in Ghana. This study aimed to integrate ‘cuir-bouilli’, a leather molding technique and applique in fabric to produce Ghanaian symbolic window blinds and curtains. This dwells on the concept: of “promoting textiles through the projection of Ghanaian traditional symbols”. The study employed a human-centered design for practical experiments. This design is a step-by-step guide that requires working directly with end users of a product or service to develop new ideas that are feasible and appropriate in their context. The contextual information emanated largely from documentation, archival records, and observation of physical articles. In the process, locally made leather from sheep and goat skins was manipulated with ‘cuir-bouilli’ techniques to produce raised patterns which were further applied on fabric by applique technique to produce a window blind and a curtain. In the end, the study entreats students and artisans to explore the potential of the integration of moulded leather patterns and fabric for other artifacts.},
 year = {2022}
}

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TY  - JOUR
T1  - Incorporation of ‘Cuir Bouilli’ and Applique on Fabric for Ghanaian Symbolic Curtains
AU  - Michael Owiredu Aboagye
AU  - Johnson Kofi Kassah
AU  - Valeria Makafui Dzidzornu
Y1  - 2022/10/31
PY  - 2022
N1  - https://doi.org/10.11648/j.ajad.20220704.15
DO  - 10.11648/j.ajad.20220704.15
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 131
EP  - 143
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20220704.15
AB  - Designs in window curtains in Ghanaian homes, offices and markets generally portray elements associated with foreign culture. This phenomenon which has the tendency of swaging vulnerable minds for imported beliefs and ideologies could be tackled by providing alternative products which reflect Ghanaian philosophy and ideology. There are enough symbolism, techniques and resources suitable for producing window coverings to depict the cultural heritage of the people in Ghana. This study aimed to integrate ‘cuir-bouilli’, a leather molding technique and applique in fabric to produce Ghanaian symbolic window blinds and curtains. This dwells on the concept: of “promoting textiles through the projection of Ghanaian traditional symbols”. The study employed a human-centered design for practical experiments. This design is a step-by-step guide that requires working directly with end users of a product or service to develop new ideas that are feasible and appropriate in their context. The contextual information emanated largely from documentation, archival records, and observation of physical articles. In the process, locally made leather from sheep and goat skins was manipulated with ‘cuir-bouilli’ techniques to produce raised patterns which were further applied on fabric by applique technique to produce a window blind and a curtain. In the end, the study entreats students and artisans to explore the potential of the integration of moulded leather patterns and fabric for other artifacts.
VL  - 7
IS  - 4
ER  -

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