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Character and Thematic Analysis in Emem Isong's Reloaded

Received: 9 April 2018     Accepted: 8 May 2018     Published: 25 May 2018
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Abstract

The theatre is a medium for social criticism. Most playwrights/screenwriters write their plays for the purpose of impacting moral lessons in the society or exposing the ills and imbalances of a society. From its earlier beginnings, character and themes among other elements combine to set a play/film in proper perspective with the cultural milieu of the play/films existence. A study of Emem Isong's films, 'Reloaded' invites the audience to reflect on society in order to capture the meaning and essence of life. This study investigates the challenges of character portrayal and the issue of themes in the video film. Its ultimate aim is to help would-be artist who would venture into screenwriting to write stories not just for the purpose of entertaining, but to write on pressing issues in the society that needs to be corrected. Data for this study was collected through continuous watching of the movie, script and character analysis, relevant journals and discussion with people. It is believed that this work will be of immense benefit for would-be screenwriters/playwrights.

Published in American Journal of Art and Design (Volume 3, Issue 1)
DOI 10.11648/j.ajad.20180301.12
Page(s) 5-11
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2018. Published by Science Publishing Group

Keywords

Theatre Arts, Character and Themes, Thematic Analysis, Reloaded, Acting

References
[1] Nwamuo, C. (1984). New Dimensions in African Theatre. Lagos. Nigerian. Magazine No. 159.
[2] Aristotle (1970). Poetics. Oxford: British National Corpus.
[3] Ommanney, K. and Schanker, H. (1994). The Stage and the School (6th Ed.) New York: McGraw-Hill, Inc.
[4] Arnold, S. (2001). The Creative Spirit; an Introduction to theatre. U.S.A: MayfieldPub. Company.
[5] Stanislavsky, K. (1980). An Actor Prepares, London: Methuen.
[6] Ekwuazi, H. (1991). Creating the Screen Image. Lagos: Kraft Books Limited.
[7] Zettle, H. (1976). Television Production Handbook. Belmont, California: Warsdworth Publishing Company Inc.
[8] Banham, M. (1995). The Cambridge Guide to Theatre. Cambridge: University Press.
[9] Barranger, M. (1991). Theatre; A -way of seeing. California: Wardsworth Publishing Company.
[10] Oga, E. (1991). Casting a play. The Approaches of Three Nigerian Directors. Nigerian Theatre Journal, Vol. 6 no 1, The Society of Nigerian Theatre Artists (SONTA): 14-20.
[11] Ogunleye, F. (2003). Female sterotypes in the Nigerian Video Film: a case for re-socialization. Hum. Rev. Journal, Vol 5 no 6, December 3: Publication of Humanities Research Forum: 8-12.
[12] Wilson, E. and Goldfaith, A. (1985). Theatre; The lively Arts. New York: McGraw-Hill, 1996. Company.
[13] Rynertson, A. J. (1970). The work of a Film Director. London: Focal Press.
[14] Wurtzel, A. (1985). Television Production. New York: McGraw-Hill Book Company.
[15] Isong, E. (2008). Reloaded. Royal Arts Academy.
Cite This Article
  • APA Style

    Margaret Gregory Akpan, Eno Nathaniel Bassey. (2018). Character and Thematic Analysis in Emem Isong's Reloaded. American Journal of Art and Design, 3(1), 5-11. https://doi.org/10.11648/j.ajad.20180301.12

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    ACS Style

    Margaret Gregory Akpan; Eno Nathaniel Bassey. Character and Thematic Analysis in Emem Isong's Reloaded. Am. J. Art Des. 2018, 3(1), 5-11. doi: 10.11648/j.ajad.20180301.12

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    AMA Style

    Margaret Gregory Akpan, Eno Nathaniel Bassey. Character and Thematic Analysis in Emem Isong's Reloaded. Am J Art Des. 2018;3(1):5-11. doi: 10.11648/j.ajad.20180301.12

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  • @article{10.11648/j.ajad.20180301.12,
      author = {Margaret Gregory Akpan and Eno Nathaniel Bassey},
      title = {Character and Thematic Analysis in Emem Isong's Reloaded},
      journal = {American Journal of Art and Design},
      volume = {3},
      number = {1},
      pages = {5-11},
      doi = {10.11648/j.ajad.20180301.12},
      url = {https://doi.org/10.11648/j.ajad.20180301.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20180301.12},
      abstract = {The theatre is a medium for social criticism. Most playwrights/screenwriters write their plays for the purpose of impacting moral lessons in the society or exposing the ills and imbalances of a society. From its earlier beginnings, character and themes among other elements combine to set a play/film in proper perspective with the cultural milieu of the play/films existence. A study of Emem Isong's films, 'Reloaded' invites the audience to reflect on society in order to capture the meaning and essence of life. This study investigates the challenges of character portrayal and the issue of themes in the video film. Its ultimate aim is to help would-be artist who would venture into screenwriting to write stories not just for the purpose of entertaining, but to write on pressing issues in the society that needs to be corrected. Data for this study was collected through continuous watching of the movie, script and character analysis, relevant journals and discussion with people. It is believed that this work will be of immense benefit for would-be screenwriters/playwrights.},
     year = {2018}
    }
    

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Author Information
  • Department of Theatre Arts, Faculty of Arts, University of Uyo, Uyo, Nigeria

  • Department of Theatre Arts, Faculty of Arts, University of Uyo, Uyo, Nigeria

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