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An Approach to the Study on the Situation of Cultural Decline in the Fang Ethnic Group of Equatorial Guinea

Received: 30 August 2023     Accepted: 22 September 2023     Published: 26 December 2023
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Abstract

Our article aims to analyze the different stages of the Fang culture, particularly the one of Equatorial Guinea in order to know the current situation of the aforementioned culture. It should be said that the Fang is a social group, an ethnic group that belongs to the Bantu trunk. These Fangs developed their culture from an original perspective; that is to say in a raw state before they made contact with Westerners. Culture is a concept that has gone through many studies, hence it has a variety of definitions. According to the dictionary of the Spanish language of the Royal Academy, culture is the set of ways of life and customs, knowledge and degree of artistic, scientific, industrial development, in a time, of a social group. It is estimated that the term culture carries with it what is identity, and precisely a culture’s identity. Thus, no culture can develop outside a society. With respect to our reference, which is the Fang culture of Equatorial Guinea, it can be said that a cultural profile has been developed and it is measured through cultural elements and manifestations such as dances, beliefs, art, religion, language, myths, funeral rites, etc. they all constitute a rich knowledge from a raw state. Thanks to this research we are going to look chronologically at the stages of the said culture from its original stage reaching colonization to the end with decolonization. The impact that Western culture has had on Fang culture is analyzed from another angle. In accordance with the general objective that consists of studying the Fang culture. Well, it can be seen that the contact with Western culture has greatly adulterated the Fang culture, and today, with the processes of globalization, it is fading even more. As it is a research that addresses a sociocultural issue such as the current situation of the fang culture, we have found it necessary to adopt a qualitative methodology. Well, the reasons that have led us to take this methodology are due to the fact that said methodology consists of the study of social relations.

Published in International Journal of Philosophy (Volume 11, Issue 4)
DOI 10.11648/j.ijp.20231104.13
Page(s) 111-120
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2023. Published by Science Publishing Group

Keywords

Culture, Fang, Decadence, Globalization, Colonization, Cultural Values

References
[1] Álvarez, C. (2011). Metodología de la investigación cuantitativa y cualitativa. Neiva: Universidad Surcolombiana. Facultad de Ciencias Sociales y Humanas.
[2] Aguilar, D., & Fallas, M. (2011). Globalización y cultura.
[3] Adjoa, N., & Kouakou Kouamé, R. (2017). La identidad en la historia de los pueblos de Guinea Ecuatorial. La Razón Histórica (36), 37-50.
[4] Arias, F. G. (2012). El Proyecto de Investigación: Introducción a la metodología científica. Caracas: Episteme.
[5] Bituga-Nchama, Pedro Bayeme. (2020). La conflictividad de la ideología feminista en la cultura fang: una aproximación al estudio del patriarcado en Guinea Ecuatorial. Revista Cátedra, 3 (1), 15-27.
[6] Bituga-Nchama, Pedro Bayeme, & Nvé-Ndumu, Cruz Otú (2021). La decadencia de las lenguas autóctonas de Guinea Ecuatorial: una manifestación de la pérdida de identidad cultural. Revista Cátedra, 4 (3), 35-56.
[7] Bolekia Boleká, Juan. (2014). El auge y el declive de las culturas del África Occidental (o Atlántica). Vegueta. Anuario de la Facultad de Geografía e Historia, 27-84.
[8] Borrego Nadal, V. (2001). “Visión" y conocimiento: el arte Fang de Guinea Ecuatorial. Madrid: Universidad complutense de Madrid: Facultad de Bellas Artes. Departamento de cultura.
[9] Eyama Achama, J. R. (2014). La fundamentación de los Derechos Humanos en la etnia fang. El caso de Guinea Ecuatorial. Revista Internacional de Pensamiento Político, 9, 297-320.
[10] Harris, Martin. (1971). Antropología cultural. Madrid: Alianza.
[11] Linton, R. (1971). Cultura y Personalidad. Ciudad de México: Fondo de Cultura Económica México D F Set.
[12] Mvé Bengobesama, Constantino Ocháa. (1981). Tradiciones del pueblo fang. Madrid: EDICIONES RIALP, S. A.
[13] Nguema Bilogo, Longinos Eseng. (2012). La inculturación en el pueblo fang. Un paradigma de evangelización de África. Barcelona: FACULTAD DE TEOLOGÍA DE CATALUNYA.
[14] Ondo Emerua, C. B. (2013). La dote ¿tradición de la etnia fang?” En el barrio Los Ángeles ciudad de Malabo. Universidad Central “Marta Are u” de las villas.
[15] Páez, D., & Zubita, E. (s.f.). Cultura y Educación: Capítulo II. Cultura y psicología social, 1-40.
[16] Ron, J. (1977). Sobre el concepto de cultura. Quito: Instituto Andino de artes.
[17] Taylor, S. J., & Bogdan, R. (1994). Introducción a los métodos cualitativos de investigación. Barcelona: Paidós.
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  • APA Style

    Obiang-Mikue, B. N. (2023). An Approach to the Study on the Situation of Cultural Decline in the Fang Ethnic Group of Equatorial Guinea. International Journal of Philosophy, 11(4), 111-120. https://doi.org/10.11648/j.ijp.20231104.13

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    ACS Style

    Obiang-Mikue, B. N. An Approach to the Study on the Situation of Cultural Decline in the Fang Ethnic Group of Equatorial Guinea. Int. J. Philos. 2023, 11(4), 111-120. doi: 10.11648/j.ijp.20231104.13

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    AMA Style

    Obiang-Mikue BN. An Approach to the Study on the Situation of Cultural Decline in the Fang Ethnic Group of Equatorial Guinea. Int J Philos. 2023;11(4):111-120. doi: 10.11648/j.ijp.20231104.13

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  • @article{10.11648/j.ijp.20231104.13,
      author = {Bonifacio Nguema Obiang-Mikue},
      title = {An Approach to the Study on the Situation of Cultural Decline in the Fang Ethnic Group of Equatorial Guinea},
      journal = {International Journal of Philosophy},
      volume = {11},
      number = {4},
      pages = {111-120},
      doi = {10.11648/j.ijp.20231104.13},
      url = {https://doi.org/10.11648/j.ijp.20231104.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijp.20231104.13},
      abstract = {Our article aims to analyze the different stages of the Fang culture, particularly the one of Equatorial Guinea in order to know the current situation of the aforementioned culture. It should be said that the Fang is a social group, an ethnic group that belongs to the Bantu trunk. These Fangs developed their culture from an original perspective; that is to say in a raw state before they made contact with Westerners. Culture is a concept that has gone through many studies, hence it has a variety of definitions. According to the dictionary of the Spanish language of the Royal Academy, culture is the set of ways of life and customs, knowledge and degree of artistic, scientific, industrial development, in a time, of a social group. It is estimated that the term culture carries with it what is identity, and precisely a culture’s identity. Thus, no culture can develop outside a society. With respect to our reference, which is the Fang culture of Equatorial Guinea, it can be said that a cultural profile has been developed and it is measured through cultural elements and manifestations such as dances, beliefs, art, religion, language, myths, funeral rites, etc. they all constitute a rich knowledge from a raw state. Thanks to this research we are going to look chronologically at the stages of the said culture from its original stage reaching colonization to the end with decolonization. The impact that Western culture has had on Fang culture is analyzed from another angle. In accordance with the general objective that consists of studying the Fang culture. Well, it can be seen that the contact with Western culture has greatly adulterated the Fang culture, and today, with the processes of globalization, it is fading even more. As it is a research that addresses a sociocultural issue such as the current situation of the fang culture, we have found it necessary to adopt a qualitative methodology. Well, the reasons that have led us to take this methodology are due to the fact that said methodology consists of the study of social relations.
    },
     year = {2023}
    }
    

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    AB  - Our article aims to analyze the different stages of the Fang culture, particularly the one of Equatorial Guinea in order to know the current situation of the aforementioned culture. It should be said that the Fang is a social group, an ethnic group that belongs to the Bantu trunk. These Fangs developed their culture from an original perspective; that is to say in a raw state before they made contact with Westerners. Culture is a concept that has gone through many studies, hence it has a variety of definitions. According to the dictionary of the Spanish language of the Royal Academy, culture is the set of ways of life and customs, knowledge and degree of artistic, scientific, industrial development, in a time, of a social group. It is estimated that the term culture carries with it what is identity, and precisely a culture’s identity. Thus, no culture can develop outside a society. With respect to our reference, which is the Fang culture of Equatorial Guinea, it can be said that a cultural profile has been developed and it is measured through cultural elements and manifestations such as dances, beliefs, art, religion, language, myths, funeral rites, etc. they all constitute a rich knowledge from a raw state. Thanks to this research we are going to look chronologically at the stages of the said culture from its original stage reaching colonization to the end with decolonization. The impact that Western culture has had on Fang culture is analyzed from another angle. In accordance with the general objective that consists of studying the Fang culture. Well, it can be seen that the contact with Western culture has greatly adulterated the Fang culture, and today, with the processes of globalization, it is fading even more. As it is a research that addresses a sociocultural issue such as the current situation of the fang culture, we have found it necessary to adopt a qualitative methodology. Well, the reasons that have led us to take this methodology are due to the fact that said methodology consists of the study of social relations.
    
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Author Information
  • Research Department of the Faculty of Humanities of Religious Sciences, National University of Equatorial Guinea, Bata, Equatorial Guinea

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