The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran

Seyed Kasra Mirpadyab; Somayeh Shirinjani; Elham Goljamali

doi:doi:10.11648/j.ajad.20200504.11

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The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran

Seyed Kasra Mirpadyab, Somayeh Shirinjani, Elham Goljamali

Published in American Journal of Art and Design (Volume 5, Issue 4)

Received: 16 September 2020 Accepted: 5 October 2020 Published: 4 November 2020

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Abstract

In this paper, we intend to study fine examples of Islamic-Iranian architecture prove that the people was aware of the chakra's seven chakras and their attributes and therefore the impact is evident in the architecture. In a comparative study of six by six Persian style, party, Khorasani, mystery, Azeri and selected Isfahani The impact on them was seven chakras and the end of the article is to explore the three effects in both the time before and after the advent of Islam was taken. First, after the arrival of Islam in Iranian architecture, due to open third chakra, fifth, sixth, and seventh shifted. And secondly, the pre-Islamic Persian architecture according to the first chakra and the fourth chakra (see the green of nature and hear the sounds of nature from inside the building) was paid in the third period no reason to focus on the second chakra sex (no orange) is not. As well as by matching the dimensions of the human body chakras in the human body have got to the point that the golden proportion is derived from the human body chakras. In the end, we have come to the conclusion that in the architecture of Iran before the advent of Islam and even after the advent of Islam, whether in meaning and content, or in the form of form, or in space and decorations, the color orange has not been used at all. In the description of the second chakra meaning lust, architects have not used this color in architecture.

Published in	American Journal of Art and Design (Volume 5, Issue 4)
DOI	10.11648/j.ajad.20200504.11
Page(s)	78-86
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2020. Published by Science Publishing Group

Keywords

Islamic and Iranian Architecture, Chakras of the Human Body, Relationships, Body Dimensions, The Golden Proportion

References

[1]	Effect of yoga program on executive functions of adolescents dwelling in an orphan home: A randomized controlled study, by Satya Prakash Purohit, Balaram Pradhan, India, 2016.
[2]	Quran, Elahi Ghomsheie, Omran Printing, 1387.
[3]	Information Architects' Data Architecture (2008), translated Kouroosh Mahmoodid deh Bigelow, Tehran, future Counter- City Water, 1386.
[4]	Kalashatra Gavin Da, Atlas chakra, translation M. East, Mashhad Sun Flower Press, 1395.
[5]	Seven chakras produce more, Charles Webster, translation Mojgan. Sharifi, Tehran, Publishing Triangle in 1386.
[6]	Bolkhari Qehi, H., 1394, as the theory of art and beauty in Islamic civilization, Tehran, Navideshahed.
[7]	Manifestations of spiritual wisdom in Islamic art, Mohammad Madadpur Tehran, international Nshrbyn, 1387.
[8]	Mirpadyab, Seyyed Kasra, (2020) Teaching Architectural Design Thinking In line with Objectivity (Experience) and Subjectivity (Imagination) with an Emphasis on the Gender Differences in Students’ Perceptions of the Built Environment”. Ph.D. thesis, Department of Architecture, Islamic Azad University of Qazvin.
[9]	Mirpadyab, Seyyed Kasra., Zafarmand, E,.(2016) Knowing the physical quality of the Red Light District of Amsterdam (Netherlands) (in Persian language) International Conference on Civil Engineering, Architecture and Urban Cityscape, Istanbul University, Turkey.
[10]	Mirpadyab, Seyyed Kasra, (2020) Sex is More: The Relationship between Sexual Satisfaction and Architectural Space Design by Gender Differences in couples Perceptions, revise.
[11]	Sharamon, S., & Baginski, B. (2018). Chakra Handbook. Lotus Press.
[12]	Pond, D. (1999). Chakras for beginners: A guide to balancing your chakra energies. Llewellyn Worldwide.
[13]	Sherwood, K. (1988). Chakra Therapy: For Personal Growth & Healing. Llewellyn Worldwide.
[14]	Selby, J., & Selig, Z. (2009). Kundalini awakening: a gentle guide to Chakra activation and spiritual growth. Bantam.
[15]	Judith, A. (2012). Wheels of life: A user's guide to the chakra system. Llewellyn Worldwide.
[16]	Richard W. Maxwell, 2009 “The Physiological Foundation of Yoga Chakra Expression”; Journal of Religion & Science and Ruth Stanley, “Types of Prayer, Heart Rate Variability, and Innate Healing”.

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APA Style

Seyed Kasra Mirpadyab, Somayeh Shirinjani, Elham Goljamali. (2020). The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. American Journal of Art and Design, 5(4), 78-86. https://doi.org/10.11648/j.ajad.20200504.11

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ACS Style

Seyed Kasra Mirpadyab; Somayeh Shirinjani; Elham Goljamali. The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. Am. J. Art Des. 2020, 5(4), 78-86. doi: 10.11648/j.ajad.20200504.11

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AMA Style

Seyed Kasra Mirpadyab, Somayeh Shirinjani, Elham Goljamali. The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. Am J Art Des. 2020;5(4):78-86. doi: 10.11648/j.ajad.20200504.11

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@article{10.11648/j.ajad.20200504.11,
  author = {Seyed Kasra Mirpadyab and Somayeh Shirinjani and Elham Goljamali},
  title = {The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran},
  journal = {American Journal of Art and Design},
  volume = {5},
  number = {4},
  pages = {78-86},
  doi = {10.11648/j.ajad.20200504.11},
  url = {https://doi.org/10.11648/j.ajad.20200504.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20200504.11},
  abstract = {In this paper, we intend to study fine examples of Islamic-Iranian architecture prove that the people was aware of the chakra's seven chakras and their attributes and therefore the impact is evident in the architecture. In a comparative study of six by six Persian style, party, Khorasani, mystery, Azeri and selected Isfahani The impact on them was seven chakras and the end of the article is to explore the three effects in both the time before and after the advent of Islam was taken. First, after the arrival of Islam in Iranian architecture, due to open third chakra, fifth, sixth, and seventh shifted. And secondly, the pre-Islamic Persian architecture according to the first chakra and the fourth chakra (see the green of nature and hear the sounds of nature from inside the building) was paid in the third period no reason to focus on the second chakra sex (no orange) is not. As well as by matching the dimensions of the human body chakras in the human body have got to the point that the golden proportion is derived from the human body chakras. In the end, we have come to the conclusion that in the architecture of Iran before the advent of Islam and even after the advent of Islam, whether in meaning and content, or in the form of form, or in space and decorations, the color orange has not been used at all. In the description of the second chakra meaning lust, architects have not used this color in architecture.},
 year = {2020}
}

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TY  - JOUR
T1  - The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran
AU  - Seyed Kasra Mirpadyab
AU  - Somayeh Shirinjani
AU  - Elham Goljamali
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DO  - 10.11648/j.ajad.20200504.11
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
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PB  - Science Publishing Group
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UR  - https://doi.org/10.11648/j.ajad.20200504.11
AB  - In this paper, we intend to study fine examples of Islamic-Iranian architecture prove that the people was aware of the chakra's seven chakras and their attributes and therefore the impact is evident in the architecture. In a comparative study of six by six Persian style, party, Khorasani, mystery, Azeri and selected Isfahani The impact on them was seven chakras and the end of the article is to explore the three effects in both the time before and after the advent of Islam was taken. First, after the arrival of Islam in Iranian architecture, due to open third chakra, fifth, sixth, and seventh shifted. And secondly, the pre-Islamic Persian architecture according to the first chakra and the fourth chakra (see the green of nature and hear the sounds of nature from inside the building) was paid in the third period no reason to focus on the second chakra sex (no orange) is not. As well as by matching the dimensions of the human body chakras in the human body have got to the point that the golden proportion is derived from the human body chakras. In the end, we have come to the conclusion that in the architecture of Iran before the advent of Islam and even after the advent of Islam, whether in meaning and content, or in the form of form, or in space and decorations, the color orange has not been used at all. In the description of the second chakra meaning lust, architects have not used this color in architecture.
VL  - 5
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Author Information

Seyed Kasra Mirpadyab

Department of Architecture, Faculty of Architecture and Urban Planning, Qazvin Branch, Islamic Azad University, Qazvin, Iran
Somayeh Shirinjani

Department of Architecture, Faculty of Architecture, Islamic Azad University Ahvaz Branch, Ahvaz, Iran
Elham Goljamali

Department of Architecture, Faculty of Architecture, Islamic Azad University Nour Branch, Mazandaran, Iran

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APA Style

Seyed Kasra Mirpadyab, Somayeh Shirinjani, Elham Goljamali. (2020). The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. American Journal of Art and Design, 5(4), 78-86. https://doi.org/10.11648/j.ajad.20200504.11

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ACS Style

Seyed Kasra Mirpadyab; Somayeh Shirinjani; Elham Goljamali. The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. Am. J. Art Des. 2020, 5(4), 78-86. doi: 10.11648/j.ajad.20200504.11

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AMA Style

Seyed Kasra Mirpadyab, Somayeh Shirinjani, Elham Goljamali. The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran. Am J Art Des. 2020;5(4):78-86. doi: 10.11648/j.ajad.20200504.11

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@article{10.11648/j.ajad.20200504.11,
  author = {Seyed Kasra Mirpadyab and Somayeh Shirinjani and Elham Goljamali},
  title = {The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran},
  journal = {American Journal of Art and Design},
  volume = {5},
  number = {4},
  pages = {78-86},
  doi = {10.11648/j.ajad.20200504.11},
  url = {https://doi.org/10.11648/j.ajad.20200504.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20200504.11},
  abstract = {In this paper, we intend to study fine examples of Islamic-Iranian architecture prove that the people was aware of the chakra's seven chakras and their attributes and therefore the impact is evident in the architecture. In a comparative study of six by six Persian style, party, Khorasani, mystery, Azeri and selected Isfahani The impact on them was seven chakras and the end of the article is to explore the three effects in both the time before and after the advent of Islam was taken. First, after the arrival of Islam in Iranian architecture, due to open third chakra, fifth, sixth, and seventh shifted. And secondly, the pre-Islamic Persian architecture according to the first chakra and the fourth chakra (see the green of nature and hear the sounds of nature from inside the building) was paid in the third period no reason to focus on the second chakra sex (no orange) is not. As well as by matching the dimensions of the human body chakras in the human body have got to the point that the golden proportion is derived from the human body chakras. In the end, we have come to the conclusion that in the architecture of Iran before the advent of Islam and even after the advent of Islam, whether in meaning and content, or in the form of form, or in space and decorations, the color orange has not been used at all. In the description of the second chakra meaning lust, architects have not used this color in architecture.},
 year = {2020}
}

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TY  - JOUR
T1  - The Effect of the Seven Chakras on the Colors and Architecture of Ancient Iran
AU  - Seyed Kasra Mirpadyab
AU  - Somayeh Shirinjani
AU  - Elham Goljamali
Y1  - 2020/11/04
PY  - 2020
N1  - https://doi.org/10.11648/j.ajad.20200504.11
DO  - 10.11648/j.ajad.20200504.11
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 78
EP  - 86
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20200504.11
AB  - In this paper, we intend to study fine examples of Islamic-Iranian architecture prove that the people was aware of the chakra's seven chakras and their attributes and therefore the impact is evident in the architecture. In a comparative study of six by six Persian style, party, Khorasani, mystery, Azeri and selected Isfahani The impact on them was seven chakras and the end of the article is to explore the three effects in both the time before and after the advent of Islam was taken. First, after the arrival of Islam in Iranian architecture, due to open third chakra, fifth, sixth, and seventh shifted. And secondly, the pre-Islamic Persian architecture according to the first chakra and the fourth chakra (see the green of nature and hear the sounds of nature from inside the building) was paid in the third period no reason to focus on the second chakra sex (no orange) is not. As well as by matching the dimensions of the human body chakras in the human body have got to the point that the golden proportion is derived from the human body chakras. In the end, we have come to the conclusion that in the architecture of Iran before the advent of Islam and even after the advent of Islam, whether in meaning and content, or in the form of form, or in space and decorations, the color orange has not been used at all. In the description of the second chakra meaning lust, architects have not used this color in architecture.
VL  - 5
IS  - 4
ER  -

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